Upper Class
"You've got all the beard-rock stuff right now in Canada," he gripes. "I get that you're upset, but you don't necessarily get to hold yourselves sound that way. A lot of my songs are depressing as hell, but as long as you put it over something buoyant and poppy, it's not necessarily going to go like you're actually crying when you're singing." "I'm happy when people can connect with the bummer side of the songs," Hart continues, "but I first want to link on the lighter side instead of just strumming guitar where it's so obvious and the whole shade of your call is down. There's so many bands that do that - especially in Canada. If you let something to say, and it's something that's not super positive, you don't get to create the actual musical component sound that way, too. First and foremost, I want listeners to say, 'Hey, that's a catchy song.'" Watch Russian Futurists Perform 'Register My Firearms? No Way!' Hart's pop-oriented artistic vision is now being enhanced by Grammy Award-winning producer Michael Brauer, who has previously worked with the likes of Coldplay and John Mayer. It may be a far cry from his early days recording music from the confines of his bedroom, but Hart is capitalizing on his growth as a musician and songwriter. "Ever since I did this scripture with a proper studio and a proper producer, I now think of the songs I do at home as demos, whereas before they were finished songs," says Hart. "I mean, it was big for a lot of years, but now I'm into having people see what I'm saying. If you put all that time and move into writing lyrics - you kill yourself over this - and no one can see what the f- you're saying anyway, [why trouble?] You might as well let people see the work you put in." The straits of Brauer's influence on Russian Futurists has surely come up, but despite what Hart considers an improvement in sound quality, the frontman assures fans that the point is free from any second party agenda. "Michael said right off the bat, 'I'm not here to change your record, because if I thought it was s-, I wouldn't be working with you,'" Hart says. "It's a harder job as a producer to get someone come and give you a frightening record, and it's your job to fix it."
Upper Class
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